塑, 再塑 : 吳析夏個人作品展
Between Plastic : Ng Sekha Solo Art Exhibition
展覽名稱: 塑, 再塑 : 吳析夏個人作品展
Exhibition Name: Between Plastic : Ng Sekha Solo Art Exhibition
展覽日期：2026年 1月 27日－ 2月7日
Exhibition Dates :Jan 27, 2026 – Feb 7, 2026
展覽地點: 官樂怡基金會 (澳門南灣大馬路749號地下)
Locations: Rui Cunha Foundation, AV.DA PRAIA GRANDE,N.749,MACAU
開幕日期及時間： 2026年1月27日18:30
Opening Ceremony：January 27, 2026 18:30
參展作者：吳析夏
Artist：Ng Sekha
策展人 : 郭贇
Curator : Guo Yun
學術指導 : 吳衛鳴
Academic guidance : Ung Vai Meng
主辦單位：官樂怡基金會、澳門青年美術協會、澳門美術協會
Organizer: Rui Cunha Foundation、Macau Youth Art Association、Macau Artist Society
展覽簡介：
展覽《塑，再塑》（Between Plastic）以藝術家吳析夏(Ng Sekha)近年的創作實踐為核心，梳理其自2015年以來圍繞「塑料」所展開的跨媒介探索。透明塑料被反覆置入繪畫、行為與裝置之間，其半遮蔽、可變形且近乎無重量的物性，構成一種曖昧的感知結構——既非阻斷，亦非通透，使身體、圖像與觀看始終處於拉扯與不穩定之中。
「塑」在英語語境中對應 plastic，不僅指向材料本身，也延伸至整形、消費文化與被設計、被規訓的身體；而在中文中，「塑」同時意味著塑造、重塑與再生，指向一種未完成、持續生成的狀態。吳析夏正是在這種語義的張力之間創作，將塑料轉化為一種方法，而非單一媒材——一種介於感知與結構、個體經驗與社會機制之間的中介。
在《塑，再塑》中，藝術家將過往的行為藝術轉譯為架上繪畫，並以塑料半球再次介入畫面，使身體痕跡、行為書寫與透明隔層彼此疊合。「行為」的結束不再意味著終點，而成為另一輪塑形的起點。於此，「塑」不斷發生、反覆進行，在欲望、物化與自我反思之間循環運作——再塑，仍在進行之中。
Introduction of exhibition
The exhibition Between Plastic centers on the recent artistic practice of Ng Sekha (吴析夏), tracing her cross-media explorations of “plastic” since 2015. Transparent plastic is repeatedly inserted between painting, performance, and installation; through its semi-concealing, malleable, and almost weightless materiality, it constructs an ambiguous perceptual structure—neither fully obstructive nor fully transparent—placing the body, the image, and the act of viewing in a constant state of tension and instability.
In the English context, “plastic” refers not only to the material itself, but also extends to plastic surgery, consumer culture, and the social mechanisms through which the body is designed, regulated, and observed. In the Chinese language, however, “plastic” (塑) simultaneously signifies shaping, reshaping, and regeneration, pointing toward a state of incompletion and continuous becoming. It is within this semantic tension that Ng Sekha operates, transforming plastic into a method rather than a singular medium—one that mediates between perception and structure, and between individual experience and social mechanisms.
In Between Plastic, the artist translates her earlier performance works into easel painting, while reintroducing plastic hemispheres into the pictorial field. This produces layered relations among bodily traces, performative inscription, and transparent partitions. The conclusion of an action does not signify an end, but rather the beginning of another cycle of formation. Here, “plastic” persists as an ongoing process, circulating between desire, objectification, and self-reflection—re-plastic, still in progress.
藝術家簡介
吳析夏，藝術史論博士在讀，中國澳門青年藝術家。畢業於美國麻省大學。作品媒介涉及行為藝術、裝置藝術和架上繪畫，關注性別哲學、身份認同與當代藝術的交叉。文字和書法是她創作的重要符號，不同書體和筆刷的使用往往有不同的含義。2024年，在今日美術館舉辦《親愛的我》吳析夏個展。作品展覽於成都雙年展、韓國光州國際雙年展、葡萄牙里斯本雙年展、香港亞洲國際博覽館、上海展覽中心、上海油罐藝術中心、深圳羅湖美術館、廣州美術館、X美術館。
Artist Biography
Sekha Ng, performance and installation artist, PhD candidate(Art history and art theory). She graduated in Master of Fine Arts from the University of Massachusetts Dartmouth in America.The media of her works include performance art, installation art and easel painting, focusing on the intersection of gender philosophy, identity and contemporary art. Words and calligraphy are important symbols in her creations, and the use of different calligraphy styles and brushes often have different meanings. She has held solo exhibitions in Beijing Today Art Museum, Beijing 798, Macau and other places.
#部分作品欣賞#
Between Plastic
120*90
布面油畫oil painting
2025
凝視
120*60
布面油畫 oil painting
2025
紅花1
red flower
180*120
布面油畫oil painting
2024
紅花2
red flower
180*120
布面油畫oil painting
2024
誕
Nirvana
150*150
布面油畫oil painting
2023
寫泡
writing bubbles
200cm
玻璃裝置 glass installation
2024
——展覽地點——
官樂怡基金會 (澳門南灣大馬路749號地下)
——Locations——
Rui Cunha Foundation, AV.DA PRAIA GRANDE,N.749,MACAU