和光同塵-羅豔芬書畫作品展

Harmony of Light and Dust: An Exhibition of Jojo Luo's Calligraphy and Gongbi Paintings

展覽日期: 2025年6月20日至7月20日

Exhibition Dates :JUN 20, 2025 – JULY 20, 2025

開放時間: 早上10：00 -下午6：00（週一休舘）

Opening Hours : 10am – 6pm (closed on Mondays)

展覽地點: 澳門何族崇義堂盛荷堂展廳(澳門大三巴街35號)

Location: No.35, Rua de S. Paulo, Macau Ho's Clan Association, Exhibition Hall

開幕儀式 :2025年6月19日18:30PM

Opening Ceremony: June,19 2025 18:30

主辦單位: 澳門文化界聯合總會、澳門美術協會

支持單位: 澳門青年美術協會、澳門何族崇義堂聯誼會

Organizers: Federation of Associations of Cultural Sectors of Macau, Macau Artist Society

Supporting Units: Macau Youth Art Association, Macau Ho’s Clan Association

羅艷芬個人照.jpg

羅豔芬

Jojo Luo

羅豔芬，字無香，號白羽衣，性僻好靜，自幼受家父耳濡目染，喜愛箏詩書畫，鳧洲詩社社員，澳門美協會員。

近期獲獎：

2022年《西亭逸記一》入選巾幗丹青優秀獎；（佛山美協主辦）

2023年《遙憶西亭蕉芋甜》入選巾幗丹青優秀獎；（佛山美協主辦）

2023年《鳧洲熙春圖》入選松鶴丹青優秀作品展；（內蒙古美協主辦）

2023年《鄉吟》榮獲香港當代藝術節美術類銀獎；

2024年《青春小曲》入選第十四届美展；（中國美協主辦）

Artist’s Profile

Jojo Luo, with the courtesy name Wuxiang (Fragrant-less) and the pseudonym Baiyuyi (White Feathered Robe), has a reclusive and quiet personality. Influenced by her father since a kid, she loves Guzheng, poetry, calligraphy and painting. She is a member of Foshan’s Fuzhou Poetry Society and the Macau Artist Association.

Her recent achievements and awards include:

In 2022, Leisurely Memory of Xiting, Foshan was selected to the Female Artists Painting Exhibition, organised by the Foshan Artists Association.

In 2023, Recalling the Sweetness of Canna Edulis of Xiting, was shortlisted for Excellence Award in the Female Artists Painting Exhibition, organised by the Foshan Artists Association.

In 2023, Spring in Fuzhou was shortlisted as Excellent Work in the Pine-and-Crane Painting Exhibition, organised by the Inner Mongolia Artists Association.

In 2023, Rustic Chant won Silver Award in Fine Arts Category in the Hong Kong Contemporary Art Festival.

In 2024, Melody of Youth was selected to the 14th National Exhibition of Fine Arts China, hosted by the China Artists Association.

展覽前言:

人漸年長，常憶起兒時老家鳧洲西亭，祖屋矮房三四間，青磚白牆灰瓦，舍南舍北綠樹成蔭，晴天雨天晨曦落日，恰似一幅幅更替的中國畫。吾娘愛鹅，頗似羲之，一日三餐，細心飼養，使之體健毛亮，叫聲如歌，惹人憐愛。予每日學堂歸來，書包一放，便去牧鹅，拿起桑枝把鹅兒趕向西亭巷尾的桑基魚塘。鹅兒見水，興高采烈如見自由天堂。在水中，他們三三兩兩，時而紅掌撥清波你追我趕；時而呼朋喚友嬉戲打鬧。水中玩夠了，他們便成群結隊，哼著鹅、鹅、鹅的小調，慢悠悠地上岸；在岸上，它們先是各自梳理羽毛，繼而互相蹭擦，困了的鹅，便把脖子一轉，埋至肩胛裏，閉目閑坐，不問世事，活像一尊尊彌勒佛。予常以泥沙為紙，桑枝作筆，漫繪眼前之所見。

時光如白駒過隙，彈指間數十年一晃而過。予今將兒時記憶之點滴，重繪於雲母紙下，與會者共同回味兒時之逸趣。

Preface:

Getting older, I often recall my childhood home at Xiting, Fuzhou in Foshan: the ancestral house with three or four low rooms with blue-gray bricks, white walls and grey tiles; Its south and north sides were shaded by green trees; sunny and rainy days, sunrise and sunset constituted a series of alternating Chinese paintings. My mother loved geese, much like Wang Xizhi (303-361), the most celebrated calligrapher across history from Eastern Jin dynasty. She fed them three times a day, carefully raising them to keep them healthy and their feathers shiny. The geese made noises like songs and were very lovely. Upon returning home from the school every day, as soon as I put down the school bag, I went to herd the geese. I would pick up a mulberry stick and drive the geese to the mulberry-dyke fishpond at the end of the lane of Xiting. The geese were overjoyed at the sight of water, as if they were seeing a paradise of freedom. In water, they gathered in twos or threes. Sometimes they swam through clear wave with their red-webbed feet, chasing each other; other times they rallied and frolicked in groups. After enough play in water, they gathered in a big flock, honking, honking, before slowly going ashore; On the shore, they first combed their feathers and then rubbed against each other. Those feeling tired would turn their necks and bury them in their shoulder blades, sitting at ease with their eyes closed being totally indifferent to the world – looking like many a Maitreya Buddha. I often used the muddy and sandy ground as paper and the mulberry stick as a brush to freely depict what my eyes beheld.

Time flies and in an instant, decades have passed. Today I re-paint the bits of childhood memories on the mica paper, reminiscing about the leisurely fun side of my early years together with the visitors

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